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Would you agree there’s too much information about persuasive writing out there? That when it’s time to learn something that will build your brand, it takes longer to sift through bad information than it does to actually learn the skill — especially if it’s about improving your writing?

That’s why I’m thrilled to be part of Brand Builders TV, where an impressive array of professionals, experts and proven entrepreneurs from the Brand Builders Club come together to freely share what they’ve learnt over their careers.

In the episode Nail the Nasty Nine Writing Issues, you’ll not only learn the names of the nine writing problems that stop us connecting with our readers. You’ll also get an up-close look at the first three.

#1 is about ‘We-‘ing all over the reader, which the article ‘Write to Persuade and Convert’ expands on. The second, about non-existent planning, is explained in the article ‘Powerful Written Communication’. And finally, here we are at article #3 in the series, which will teach you why it’s important to know where your written content will end — before you even begin.

The other six writing issues will be forthcoming, but for now, why not go back and read those first two articles? Then you’ll be sure to miss nothing on your journey to bringing more and more customers and clients onboard.

If you’re more of a digital learner, you can view the entire recorded Brand Builders TV episode here:  https://www.youtube.com/watch?v=MdLSJrXQ2fU

Your writing is about to get a lot more persuasive.

Persuasive writing knows where it’s going

As writers, when we’re not clear about where we’re going or what we’re trying to achieve, we run the risk of producing something that rambles and meanders. It’s going to drive the reader mad! It’s more effective and efficient to know where we’re going. We must identify our destination.

Brand Builders TV Scott Keyser Persuasive Writing

Persuasive Writing does not have a vague message or objective

The training I deliver to people around the world has little to do with pretty words or mellifluous, musical cadences (we get into that at mastery level).

What I’m talking about here is the sheer mechanics of great writing, and part of that is being really clear about our destination. It’s less about prettiness, more about behaviour change. We’re seeking, through the written word, to change the reader’s behaviour. That’s why this issue is one of the Nasty Nine.

Facts. Feelings. Actions.

What can we do about vague writing? Nail, define and articulate our purpose or objective. For this, I use a three-letter acronym: F.F.A. — Facts. Feelings. Action.

Imagine a three-column table. The first is Facts, or what you want your reader to know. The second is what you want them to feel. The last one is the action you want them to take as a result of reading your words.

For the first column, there are probably a lot of things you want your reader to know. Generally, provided you know your subject, this shouldn’t be a problem.

Now jump over to the right-hand column, Action. Typically, in any communication, there’s one thing you want your reader to do. To instruct you, give you a mandate, engage you or hire you, agree to meet with you, give you some information, send you a document…that’s usually pretty straightforward.

But where persuasive writing gets interesting is in the middle column, Feelings. What emotions do you want to evoke in your reader to drive the action? These emotions might include, but are not limited to:

Fear

You might want to scare them about something…like being laid off,  losing market share, missing out on an opportunity, their program failing, catching Covid, missing out on promotion.

Greed

What do they want more of? What are they greedy for? Money, time, information, power, control, influence, reputation, social media engagement.

Motivation

Use your words to motivate them to take action, energise them to pursue a particular course of action.

Anger

Get your reader angry about injustices in the world, to raise awareness and galvanise action.

Excitement

Get their pulse racing by describing attractive results, outcomes and benefits.

Brand Builders TV Scott Keyser Persuasive Writing

When you do F.F.A. properly, you break the back of your document. You’re cooking with gas. What do you want your reader to know? What do you want them to feel? And what action do you want them to take as a result of that knowledge and emotion?

Emotion matters in persuasive writing

What’s the role of emotion in persuasion? Why does emotion matter in persuasive writing? The answer lies 2,500 years ago, in the 4th century B.C., when Aristotle nailed the topic of rhetoric. He identified three persuasive ‘appeals’: Logos (logic); Ethos (credibility, character, reputation); Pathos (passion, emotion). He said all three were equally important, meaning that if we leave emotion out of our writing, we’re missing out. Logic makes people think, but emotion makes them act.

What’s your objective?

I hope you’re feeling more confident about your ability to improve your writing skills. What will you do with this new knowledge?

If persuasive writing for bids, tenders, sales pages, blogs, webpages and articles is something you’d like to learn more about, then subscribe to the Brand Builders TV YouTube channel for more episodes. Or, go straight to my second video, Nail The Nasty Nine Writing Issues, Part Two, which expands on issues 4 to 6.

My time in the Brand Builders Club has not only helped me to build my brand as The Writing Guy. It’s given me invaluable feedback, accountability and networking opportunities. Why not join us? Your registration comes with no commitment, and no risk — just growth.

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